Recommended Reads

Hector, Terrence, and Dee have always wondered about their school lunch lady. What does she do when she isn't dishing out the daily special? Where does she live? Does she have a lot of cats at home? Little do they know, Lunch Lady doesn't just serve sloppy joes--she serves justice! Whatever danger lies ahead, it's no match for LUNCH LADY in these two exciting adventures packed into one book!

The once-lovely town of Stone-in-the-Glen has fallen on hard times. After relentless fires, floods, and other calamities, they’ve lost their library, their school, their park, their prosperity. Even their neighborliness is lost. Only the wise and clever children of the Orphan House and the kindly Ogress who lives quietly at the edge of town see clearly how dire things are.

The people of Stone-in-the-Glen have put their faith in their Mayor, a dazzling fellow with a bright shock of yellow hair and white teeth, who promises that he alone can solve their problems. After all, he is a famous dragon slayer! At least, no one has ever seen a dragon in the Mayor’s presence.

One terrible day, a child goes missing from the Orphan House, and the townspeople vow to find her. Thanks to the Mayor’s insidious suggestion, all eyes turn to the Ogress. The Orphans know this can’t be: it’s the Ogress, assisted by a particularly excellent flock of crows, who secretly delivers much-needed gifts to the suffering humans. But how can the Orphans tell the story of the Ogress’s goodness to people who listen only to themselves? And how can they make their enraged, deluded neighbors see the real villain in their midst?

The remarkable story of Larry Doby, the first Black baseball player in the American League. In 1947, Larry Doby signed with the Cleveland Indians, becoming the first Black player in the American leagues. He endured terrible racism, both from fans and his fellow teammates. Despite this, he became a unifying force on and off the field, and went on to become a seven-time All Star. This exceptional biography tells the story of an unsung hero who not only opened doors for those behind him, but set amazing records during his Hall of Fame career. 

A truly inclusive celebration of architecture around the world and across the ages.

In 100 Poems to Break Your Heart, poet and advocate Edward Hirsch selects 100 poems, from the nineteenth century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within these poems.

For anyone trying to process grief, loneliness, or fear, this collection of poetry will be your guide in trying times.

After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and starts walking." These poems reinvent the form of newspaper obituary to both name what has died ("civility," "language," "the future," "Mother's blue dress") and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living.

A tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death. The world here seems to be steadily vanishing, but in the moments before the uncertain end, an illumination arrives and “there is nothing that cannot be seen.” In the Lateness of the World is a revelation from one of the finest poets writing today.

In her remarkable and assured debut, Alexandria Hall explores the boundaries and limits of language, place, and the self, as well as the complicated space between safety and danger, intimacy and isolation, playfulness and seriousness, home and away. With a keen eye for the importance of place, Hall shows us daily life in rural Vermont, illuminating the beauty and difficulty inherent in the dichotomies of human language and experience.

Perfect Black is a book of poems and legends about ancestry, culture, and the terrain of a Black girl becoming. It is a narrow and spacious terrain that enters the bloodstream of this black writing girl's body early. It is a country that she never truly exits even though different zip codes continue to fly through her wild, wondrous, winding life.

Since 1988, The Best American Poetry anthology series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume in the series presents some of the year’s most remarkable poems and poets.

Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Capturing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture.

In her second poetry collection, Barbara Kingsolver offers reflections on the practical, the spiritual, and the wild. She begins with "how to" poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins.

Closing the book are poems that celebrate natural wonders--birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees--all speaking to the daring project of belonging to an untamed world beyond ourselves.

Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It's all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry.